Tag: romanian cinema

2016: Movies

Cinema, Fashion January 19, 2017

In 2016, after years of staying away, I spent a lot of time in movie theaters. With a few exceptions, this meant I forced myself into public acts aloneness in the city of Denver, which is not conducive to such acts.

I liked this very much, though I still find it difficult to adjust to the popcorn-eating of fellow moviegoers. The world today might excuse/explain this trait of mine, which other eras would have called a quirk or bad manners, as something that makes me special. Give me a hug/death. But while I allow for the possibility that I’m really very brilliant for not being to stand the sound of popcorn-chomping, it’s really the smell that gets to me and, even more so, the disrespect. It doesn’t at all bother me that hordes of horrific food items might be publicly consumed at some blockbuster movie, but at Carol? Or Moonlight? Non-horrific foods and beverages, discreet foods, like bits of chocolate, I would not object to those.

Yes, I am an e l i t i s t. But the point of a dark room lit up on one wall seems to be the darkness and popcorn cuts through all that like the vilest fluorescent light.

Barry Jenkins. Moonlight. 2016.

Barry Jenkins. Moonlight. 2016.

Recent Movies I Loved That I Saw in Theaters

Todd Haynes. Carol. USA, 2015.

Barry Jenkins. Moonlight. USA, 2016.

Chaitanya Tamhane. Court. India, 2014.

Paul Verhoeven. Elle. France, 2016.

Old Movies I Loved That I Saw in Theaters

Satyajit Ray. Jalsaghar. India, 1958.

Michael Powell and Emeric Pressburger. Black Narcissus. UK, 1949. Read More

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Best Things I Watched in 2013

Cinema, Dance June 24, 2014

I seem to check up on my website/blog about once a month. This month I discovered a draft post listing all the best movies I watched in 2013. I guess it’s all right to post it now, six months after the fact.

I’m fairly certain these are all movies I watched for the first time last year—nothing I re-watched, which, as it turns out, I do a lot these days.

For a brief moment I attempted to categorize these by genre but that didn’t work out. Also, it occurs to me to mention: I watch enormous quantities of television not accounted for in this list, partly because I don’t keep track, partly because the list of truly excellent television is pretty limited.

OK, some random comments may be found below, if I feel like it.

Robert Altman. The Company. USA, 2003.

Robert Altman. The Long Goodbye. USA, 1973.

Robert Altman. Thieves Like Us. USA, 1974.

Altman = my favorite American director. But I always assumed he sort of lost it during the ’80s and after. So The Company quite surprised me—and the video above is stunningly realized. It’s very much in the Altman scheme of things: the way you see and hear everything as it were. It is also unlike most recordings of dance I’ve seen, given that we experience the external conditions of the dance itself—the dispersed energy of the audience, the weather, the anxieties off stage—in this horizontal, cinematic way.

Aleksey Balabanov. Me Too. 2012.

Aleksey Balabanov. Me Too. Russia, 2012.

Balabanov’s last film, eerily prophetic. Read More