Tag: david fincher

2017: Movies

Cinema February 12, 2018

This is a recap of the best movies I saw in 2017 that I hadn’t seen before. It was a good year (for movies).

I was thrilled to “discover” some women filmmakers’ whose work I wasn’t familiar with (Andrea Arnold, especially) and to watch more Akerman and Varda. I often found myself thinking about “performance”—as in, the thing an actor does that becomes notable, or is notable precisely because it isn’t. I’m not a fan of the Daniel Day-Lewis type . . . thing. I much prefer Robert Bresson’s rejection of the actorliness of actors:

ÊTRE (modèles) au lieu de PARAÎTRE (acteurs).
[BEING (models) instead of SEEMING (actors).]

I generally admire the work of those who use non-actors or not-well-known actors in their films—Bruno Dumont, for example, though he disappointed me terribly by using Juliette Binoche in his Camille Claudel 1915, a film I avoided for a long time out of fears that, turns out, were justified.

All this points to my appreciating restraint, silence, and an absence of gimmickry in the craft of acting. But then there are plenty of performances I love which have none of that. I mean, Sarah Michelle Gellar as Buffy? Divine? James Gandolfini? So genre has something to do with it, but still it’s difficult to say what precisely “it” is, except that it’s inevitably thrown into relief by the ever-perplexing Anglophone awards season that’s now under way. (Isn’t the winner basically always either Meryl Streep or Charlize Theron in “ugly” makeup?)

Anywho, these are my favorite performances from movies I saw in 2017: Gillian Anderson in The House of Mirth, Marlene Dietrich in The Blue Angel, Ivan Dobronravov in The Return, James Howson in Wuthering Heights, Daniel Kaluuya in Get Out, Nicole Kidman in Birth, Vanessa Redgrave in The Devils, Delphine Seyrig in Jeanne Dielman, and the truly gifted and greatly under-valued Sheryl Lee as Laura Palmer:

David Lynch. Twin Peaks: Fire Walk With Me. 1992.

Even movies I didn’t entirely love but appreciated for some reason or other (and often the reason was the casting) showcased some utterly moving work by actors: Ben Whishaw’s John Keats in Bright Star and Cynthia Nixon’s Emily Dickinson in A Quiet Passion; James Wilby and Rupert Graves in Maurice; and Ezra Miller as the psychopath progeny of Tilda Swinton in We Need to Talk About Kevin—Miller shall soon appear, I predict, in an Anne Rice-Sally Potter’s Orlando-pastiche about a fashionable vampire coming to terms with this ability to hang out in graveyards in daylight.

I despise Lars von Trier (except for the first season of The Kingdom) and Breaking the Waves is full of Trierisms, but Emily Watson kept me watching to the end. Read More

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2016: Movies

Cinema, Fashion January 19, 2017

In 2016, after years of staying away, I spent a lot of time in movie theaters. With a few exceptions, this meant I forced myself into public acts aloneness in the city of Denver, which is not conducive to such acts.

I liked this very much, though I still find it difficult to adjust to the popcorn-eating of fellow moviegoers. The world today might excuse/explain this trait of mine, which other eras would have called a quirk or bad manners, as something that makes me special. Give me a hug/death. But while I allow for the possibility that I’m really very brilliant for not being to stand the sound of popcorn-chomping, it’s really the smell that gets to me and, even more so, the disrespect. It doesn’t at all bother me that hordes of horrific food items might be publicly consumed at some blockbuster movie, but at Carol? Or Moonlight? Non-horrific foods and beverages, discreet foods, like bits of chocolate, I would not object to those.

Yes, I am an e l i t i s t. But the point of a dark room lit up on one wall seems to be the darkness and popcorn cuts through all that like the vilest fluorescent light.

Barry Jenkins. Moonlight. 2016.

Barry Jenkins. Moonlight. 2016.

Recent Movies I Loved That I Saw in Theaters

Todd Haynes. Carol. USA, 2015.

Barry Jenkins. Moonlight. USA, 2016.

Chaitanya Tamhane. Court. India, 2014.

Paul Verhoeven. Elle. France, 2016.

Old Movies I Loved That I Saw in Theaters

Satyajit Ray. Jalsaghar. India, 1958.

Michael Powell and Emeric Pressburger. Black Narcissus. UK, 1949. Read More